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And it's a paradox of today's plugged-in world that such places are as likely to be found 10 miles from home as 10, In one of his best pieces, ''Connected in Palau,'' Theroux goes to an uninhabited South Pacific island laden with a satellite phone, a camcorder, a palm-sized computer, a shortwave radio and various other circuitry, then watches it all die for want of batteries, the digital chirps giving way to the silent beating of fruit bats' wings above the beach. We have a great team. Connection has made people arrogant, impatient, hasty and presumptuous. Still, I wonder why so prolific an author had to tuck both kinds quite so lovingly between hard covers. His account of a cruise down the Yangtze with a group of American millionaires is as wicked as anything he ever said about Naipaul, and far funnier. Try staying out of touch. Many gifted writers manage quite nimbly to stay on excellent terms with both, and Theroux is one of the nimblest of all. Everything's going ahead. Go as far as you can. True, he's done all these things, and more. Since the ''Odyssey,'' travel writing has always been about recycling your best material, so perhaps it's unfair to complain that Theroux often repeats himself. This blooming profusion of exotic assignments is due, of course, to the success and well-deserved acclaim of Theroux's past travel books, particularly ''The Great Railway Bazaar'' and ''Riding the Iron Rooster. View on timesmachine. We're on schedule. That article ran in Harper's Magazine, a publication that seems to have brought out the best in Theroux. Boston: Houghton Mifflin Company. There are the ones you write for love and the ones you write for money. But there are plenty of common threads to Theroux's essays, too. The idea that it's impossible to serve the opposing gods of art and commerce is just romantic nonsense. FOR all his airy exhortations to travel, nothing annoys Theroux as much as other travelers -- or, even worse, tourists. Naipaul, ''Sir Vidia's Shadow. Actually, though, of the dozen or so essays about other travel writers that Theroux includes, the most interesting is the one on Bruce Chatwin. Acquire humility. On Christmas Island, a prime sport-fishing destination in the South Pacific, he writes, ''There is hardly a wall at the Captain Cook Hotel, one of the island's two hotels, that does not exhibit a photograph of a foreigner, popeyed under the weight of a potbellied, scaly, slack-jawed trophy -- the mirror image of its captor. Books Only Disconnect. When he gets going in this vein, Theroux starts to sound like Thoreau: '' 'Connected' is the triumphant cry these days. No matter what audience he's addressing, he rarely resists the temptation to hold forth on what travel -- and travel writing -- is all about. Whatever it is, Theroux has got it, and he uses it to good effect -- especially in an essay on the new China, where he portrays American joint-venture executives talking like old-time Maoist cadres: ''We're doing very well. In recent years, he's earned a reputation as a somewhat prickly character -- both for his frequent grousing on the road and, especially, for his friendship-nuking memoir of V. But he has also published his accounts of such adventures in what seems like almost every magazine on earth that runs travel features -- which is to say, almost every magazine on earth, from Granta to Bon Appetit, from Worth to Vogue. Theroux made the strange decision to include in this volume a number of his prefaces to recent editions of his other books. {PARAGRAPH}{INSERTKEYS}By this, I don't just mean that he has camped under the stars on a deserted Micronesian island, kayaked to Nantucket, traversed the Tibetan plateau from Golmud to Lhasa, skied cross-country in Maine and escaped a charging hippo in Zambia. But these repetitions are especially grating when they're uttered in didactic mode, like the graduation day homilies of a much-loved teacher who's gone just slightly dotty: ''You have to find out for yourself. Writing in Outside, Theroux strikes that magazine's perfect note of sunburned sensitivity.